FUEGO out now! close ×
+

When Doves Cry

During our Kickstarter campaign one of the pledges was a request for us to cover WHEN DOVES CRY by the great legendary artist PRINCE. The result is the following, thanks to Avik Azizian for Kickstarting it. Purchase on iTunes and at CdBaby.

Produced by Warren Huart

Engineered by Sam Martin
Mixed by Warren Huart
Mixing Assistant Sam Martin
Assistant Engineers David Schwerkolt, Connor Stobaugh, Nico Grossfeld, Jake Gable and Matt Emonson.

Recorded at Sunset Sound and Spitfire Studio.

Mixed at Spitfire Studio

Mastered by Adam Ayan at Gateway Mastering

Artwork by Mher Vahakn

Share : facebooktwittergoogle plus

Feed the Need VI – Benefit Concert at the Troubadour – 11.26.14

ZILA_FOTOGRAPHY_VIZA_2014_TOUR_55

Its that time of the year again where we get together for a night in which we all can make a difference in helping those in need during the holidays. Join us at the Troubadour on Wednesday, November 26th and help us, help them.

Proceeds will be going to the children of the Ronald McDonald House of Los Angeles – www.larmh.org

Tickets:
Advanced – $20
At the Door – $25


Quantity




All Ages – Doors 7:30pm

Performing:
Viza – 11pm
Chameleon Conductor – 10:15pm
3 By Design – 9:30pm
We are Kings and Queens – 8:45pm
No Babies No Bullets – 8:00pm

Share : facebooktwittergoogle plus

FUEGO

Today we release a brand new single that stems from our Kickstarter Sessions. Thanks to Stefan and Stephanie Tomaske for kickstarting it!

Purchase on iTunes
Purchase on CdBaby

Produced by Warren Huart

Engineered by Sam Martin
Mixed by Warren Huart
Mixing Assistant Sam Martin
Assistant Engineers David Schwerkolt, Connor Stobaugh, Nico Grossfeld, Jake Gable and Matt Emonson.

Recorded at Sunset Sound and Spitfire Studio.

Mixed at Spitfire Studio

Mastered by Adam Ayan at Gateway Mastering

Artwork by Simon Majarian

Music by VIZA
Lyrics by K’noup
Additional Chorus Lyrics by Andrew Kzirian

Lyrics:

She’s smooth, she’s silk, she’s mother’s milk, she’s 6 foot high in 6 inch heels, she’s Fuego.
She left Havana for the sounds of Santana, she pulled the plug on the Copacabana. She’s Fuego.

32 to 36, for every Tom to every Dick, she’s Fuego.
From Barcelona to Santorini she’s door to door in her bikini. She’s Fuego.

Which one of you is Fuego? (She’s really hot, she’s really Fuego)
Someone is very Fuego! (She’s really hot, she’s really Fuego)

Her perfume is her costume and her costume is her perfume. It’s Fuego.
Ay dios mio, my heart’s in Rio, shes alcohol yet barely legal. She’s Fuego.

32 to 36, for every Tom to every Dick she’s Fuego.
From Barcelona to Santorini she’s door to door in her bikini. She’s Fuego.

Which one of you is Fuego? (She’s really hot, she’s really Fuego)
Someone is very Fuego! (She’s really hot, she’s really Fuego)

Share : facebooktwittergoogle plus

ARIA – Blabbermouth Album Review

Screen Shot 2014-09-24 at 12.54.57 PM

8.5 out of 10 from Blabbermouth. Thank you!

Once known as VISA (assumedly changed by objection from a certain credit card carrier), the L.A. based VIZA have made a powerful ally in the form of Serj Tankian. Their crafty blending of Greek and Armenian roots into wavering rock and punk modes often rings of SYSTEM OF A DOWN, which has likely helped endear them to Serj. There are comic subtleties whirling through many of VIZA’s catchy and sometimes boisterous ditties along with the lofting percussion, strings, accordions and synths that accent the audacious and often nutty nature of their newest album, “Aria”.

It’s no wonder why Serj Tankian favors these guys, given the SYSTEM OF A DOWN-inspired ethnic punk flavors of “Midnight Hour (Dingle Rock)”, “Viktor’s Vanguard” and the bar brawling bash of “Forward March”, which even the FLOGGING MOLLY troupe might give a nod of respect to. The latter song is hilariously hefted by a brazen jig tempo and a barked invitation to scrum. “Quicksand” teeters to the edge for half the ride with breezy harmonies on the verses and slightly heavier strumming on the choruses before VIZA stamps down the remaining sections.

Earthy percussion and Middle Eastern sways counter the otherwise trampling groove of “Vanished”, a bizarre lampoon of degradation and torment that finds vocalist K’noup Tomopoulos chanting sarcastically, “the best is yet to come.” Afterwards, VIZA storms the proverbial castle with blast-skid progressions and equable-growled vocal interchanges on “Viktor’s Vanguard”, all of it ringing far too close to SYSTEM OF A DOWN. Yet the careening congas and killer guitar slides from Orbel Babayan and Shant Bismejian help make it one of “Aria”‘s coolest songs.

The mock ballad “The Girl That Doesn’t Exist” is a gut-buster and VIZA’s playful nature carries into the flamenco-grounded “C’est la Vie”. Enjoy the multicultural clash there and on the calypso grooves found on the verses of the successive song, “Alley in Tijuana”. Here VIZA also mashes metalled-up choruses and later, a cabaret-splashed breakdown with K’noup Tomopoulos taunting his trashy alley muse by chuffing, “the way you’re acting, you don’t need a man, you need a daddy”.

At times, K’noup Tomopoulos carries shades Peter Murphy (i.e. “Never Feel”, “Vanished”, “The Girl That Doesn’t Exist” and “Quicksand”), but he’s nearly as cagy as Serj Tankian himself in fluctuating his moods and palettes. As ever, VIZA remains unpredictable and “Aria” is another dynamic record guaranteed to crack a few smiles while tantalizing in some spots, going berserk in others. The madcap closing number “Brunette” sends the record home on a goofy note, as VIZA collectively queries their listeners “How do we manage to stay so young?” Ask ‘em now, if you dare.

Read more at http://www.blabbermouth.net/cdreviews/aria

Share : facebooktwittergoogle plus



1 2 3 7